Then, ultimately, rockabilly and rock & roll, followed by jazz and ending with synthesizers and space music. "Then the Renaissance and baroque, then the Celtic music that got imported into the Appalachians and became country and folk music. "A two-record set of early music from Europe," he begins. Had its group leader executed his original vision for the album – a history of music, all of it – that might not be the case today. "That guitar has Clarence's voice inside it," claims its guardian of nearly four decades.Įvery bit the one-in-a-million virtuoso as Clarence Joseph LeBlanc (1944-1973), Stuart channels his precursor's voice nightly, honoring an album he loves dearly. White's pedal steel mimicry drenches Sweetheart, facilitated by a Tele B-Bender, a device he and later Byrds drummer Gene Parsons invented that mechanically raises the pitch of the guitar's B-string. Then there's the fact that Stuart possesses a 1954 Fender Telecaster owned by fiery Byrds string-bender Clarence White, purchased in 1980 from his widow. He said, 'I have an idea!' I said, 'Anything you wanna do, let's go! This sounds wonderful.'"Īs do McGuinn and Stuart when performing together.įorged during the filming of an unreleased Dolly Parton IMAX film in 2010, the musical alchemy is obvious to all in a popular YouTube clip of the pair essaying Sweetheart's signature honky-tonking of Bob Dylan's "You Ain't Goin' Nowhere" on a corner of the set for the cell phone of Roger's wife Camilla. "I distinctly remember back in January, we were in Austin for the day, and Roger reached out from an airport in Buenos Aires. "I think it's pretty cool we're bringing it to Austin," he enthuses. Stuart's excited for November 10, the day the tour pulls up to ACL Live at the Moody Theater. Stuart and his expert band the Fabulous Superlatives have joined original Byrds Roger McGuinn and Chris Hillman in playing Sweetheart and related material live to celebrate the LP's 50th anniversary. So says Marty Stuart, the 60-year-old Mississippi hillbilly rocker with a rhinestone cowboy wardrobe and a Ziggy Stardust mullet, warming up to some favorite subjects: folk rock, its psychedelic architects, and country-rock-pioneering 1968 album Sweetheart of the Rodeo. Youtube marty stuart hillbilly rock how to#"The Byrds were ahead of the curve, and they taught many how to play country music." The law offices of Stuart, Hillman & McGuinn – left, right, center, respectively (Photo by Alysse Gafkjen)
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |